ALPERSTEIN DESIGNS | Judy Napangardi Watson Tea Towel
TTCW WAJURegular price $21.95
‘I listen and hear those words a hundred years away
That is my Grandmother’s Mother’s Country
it seeps down through blood and memory and soaks
into the ground’
As the textiles renaissance takes place, the role of the tea towel begins to shift. Not just a gift for your great aunty overseas, these amazing designs from esteemed Aboriginal artist deserves pride of place in our own lives, whether it's hanging as a focal centrepiece on your living room wall, used as a sustainable gift wrapping alternative or to dry and shine up your delicate tea cups or wine glasses.
Judy Napangardi Watson was born at Yarungkanji, Mt. Doreen Station, at the time when many Warlpiri & other Central & Western Desert Peoples were living a traditional nomadic life. Judy was taught painting by her elder sister, Maggie Napangardi Watson. She painted alongside her at Warlukurlangu artists for a number of years, developing her own unique style.
Judy is at the forefront of a move towards more abstract rendering of Jukurrpa, or The Dreaming, by Warlpiri artists, however her work retains strong kurruwarri, the details which tell of the sacredness of place and song in her culture. Judy Napangardi Watson has been exhibiting artwork since 1990 throughout Australia & around the world. Her works are featured in several major collections.
Made in Australia
Dimensions: 45cm x 75cm (approx)
Established in 1985, Warlukurlangu Artists Aboriginal Corporation is a not-for-profit organisation that is 100% Aboriginal-owned by its artists from the remote desert communities of Yuendumu and Nyirripi in Central Australia.
Artwork/placement varies between tea towel. Each is unique and may differ slightly from image shown.
More about the artist:
It was this design that I saw hanging from a small gift store in the Northern New South Wales town of Brunswick Heads. It appealed to me so much and led me to Alperstein Designs and their collaboration with indigenous artists, something I had been searching for. Judy's work is eye-catching, the colours and shapes mesmerising,
Judy Watson has described her experiences of travelling to her great-grandmother’s country in north-west Queensland, as ‘learning from the ground up’. It is a philosophy she has transplanted on her several journeys and residencies abroad. A distinguished artist, Judy represented Australia at the 1997 Venice Biennale,
Watson’s matrilineal link to the country of her ancestors has always been central to her printmaking and painting. The hidden histories of Indigenous experience on the colonial frontier – particularly those of women – continue to inspire her. Watson seeks the indelible impressions of past presence on the landscape – rubbings, engravings and incisions – and subtly inscribes them upon her work.
Through her art, Watson repatriates the human artefacts and objects of collected cultures in museum storehouses, and reveals the ‘skeletons’ in colonial ‘closets’:
This magnificent artist interview by the Tate Gallery gives us an insight into Judy's work and inspiration. Along with her pieces, Judy's journey into understanding her grandmother's and great grandmother's stories, also helps us to confront Aboriginal history in this country. Watch out for Judy's mum Joyce. She's a national treasure!